Drawing II, Week 13, Characters


Creating the Universe, graphite drawing by Kim Schrag

Developing Your Own Characters

In class-studies
Use a variety of materials: pencil, pen, ink and brush, charcoal, graphite, blending tool, colored pencils.
Try these approaches:
·         stick figures
·         scribbles figures
·         cylinder
·         combined shape figures, collage 
·         clothed figures
You may include figures interacting with other figures and objects.
Try to do 100 quick sketches. Let them come out of your imagination. Don't think too hard. Just let it happen.

Homework 
Invent an environment. It can be simple: horizon, sky, and land or complicated (city).
What to include: characters, interesting poses, clothing, interactions between figures and objects.
How many figures? It depends on the size and scale.  The smaller they are, the more you should include. Large figures? At least 5 with clothing and detail.
Materials: whatever you want to use. Think about line quality, contrast, and value variations. Use the largest paper you can.
Document: Photograph your studies and your final drawing and post to Week 13, Characters. in Blackboard. Also add to the Week 13, Character blog in Blackboard.



It is interesting to work with the human figure without having a model, but you may feel intimidated because you don't have a reference.  The exercises that we will do today are designed to let you play with developing characters in action, using simple structures and shapes.  Lines and shapes that are drawn freely without an emphasis on correct observation can often suggest characters that can be developed.



Tompkins Cortland Drawing II student examples - 100 poses







Homework

Develop a drawing using multiple figures in an environment. Think about the relationship between the figures.  What are they doing together?  Consider clothing variations or have everyone wear the same thing. Develop an environment, (it could be abstract) or have no space between the people. Add color and value and details. Activate the negative space with color, value, pattern or texture.
Here are some suggestions. Add to these ideas and brainstorm your own lists too.
·        Relationship
Pyramid of people
Acrobats
Teams
Workers
Parade
Standing in a line
Family

·        Activities
Flying, running, climbing, swimming, building, shopping, sleeping, reading, walking, painting, eating

·        Where
In a park
In a city
In the forest
In a skyscraper
In space, outer space, underwater, underground
In a storm
On stage (behind the scenes), theatre
At a Concert

·        When
Day, night
Winter, summer
Past, future

·        Scale
Tiny people, or gigantic people next to regular sized objects


·         Space – point of view.  How far away are they? Above or below?


Tompkins Cortland Drawing II student examples.
 Invented Figures in an Environment.








Thanks to TC3 students Vic Rice, James Willis, Amy Callahan, John de Forest, Marli Hammond, and Zacc Charvolin for sharing their work here.


Work by Kim Schrag
These are examples from my sketchbooks. When I first decided to include people in my artwork, I started keeping a journal. I drew in it every day. I did this for several years and eventually had about 7 journals of sketches. They were very simple sketches and I was most interested in what would develop spontaneously, so I was very free with them. If they didn't work very well, it wasn't a big deal.






Some of my sketchbook drawings have developed into paintings. The next two are from a book I made called, In the Distance, Small Beings.  It is about looking at humanity from distance.

Endless Construction

On a Path

The next two dawings also came out of my first sketchbook drawings of people.
 They are from a collection called, Life Dancing Life.
The First Treaty

In The Neighborhood

This last group is my most recent work. They are graphite drawings, on 22x30" paper. This is a series that I call, The House of Knowledge. 


You can see more at www.kimschrag.com




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